It is completely up to the video director where you position this camera. Feel free to move it from week to week to see what you may like or dislike. One other shot that I'd like us to try is aimed straight down the keyboard.
The camera does not produce the best quality as it is a simple Sony HandiCam and the lighting is not always ideal from up stage. However, I think the dimmer lighting actually enhances the affect and if you can time your use of this shot with a feature of the instrument you are aimed at, you just might find that the lighting is more than sufficient.
If you (as director) choose to move the camera, keep a couple things in mind.
- You have 50 foot of cable so you can reach just about any place on the stage
- Keep your cable run safe, tape it down if you cross walkways
- Keep your positioning inconspicuous to the audience
- Setup in a safe place where a band member will not knock it over
- The feed is composite not S-Video (again, this speaks to the quality of the image)
- You can come off of the front pocket instead, however you'll need to re-patch from the distribution panel to the switcher.
- The Camera 4 input to the V440 allows both composite and S-Video. However, S-Video overrides composite. Currently the S-Video is unplugged so that we can pick-up the composite feed.
One other thing...or two, or three, this shot should be used for short periods of time. Try to time it to the music and keep it to 5 to 7 seconds. I'm not sure how this shot will look on the house display as I did not try it this past week. If you find yourself wanting to use it fro a special, just make sure you try it in rehersal first to make sure it looks alright.
As I mentioned at the beginning of this post, there is another post that you probably have not read yet...and honestly that one is more important than this one, so please read on...and leave any comments that you might have. I'm looking for feedback.

